Have you been watching The Big Painting Challenge on BBC 1? (iplayer link HERE to first episode- runs out in 21 days) I have to say it has inspired me to think about my drawing and painting skills, long left to lie. Except when in meetings… I am an inveterate doodler – and when in meetings will doodle.
Some are of the opinion that doodling is akin to ignoring the meeting altogether. Not so! In fact it has been shown that those who doodle actually are taking in more than those who merely sit and listen. Even if I am chairing the meeting, I usually end up with a doodle or two – usually around the items on the agenda that cause most discussion.
Doodles, it is said, can also be interpreted, sharp angular ones indicating dissent, or difficulties, loose flowing ones indicating calm and non confrontational thought. I really can’t comment on this! Enough about doodles – on to some real Art!
If you have been watching The Big Painting Challenge you will, by now, be a little familiar with the contestants. Next time you watch please notice Anthea. Anthea Lay exhibits her paintings at the same morning market that I mentioned last week, where I take my books as an opportunity to meet friends and the buying pubic, and has become a friend.
A long while ago I asked Anthea about painting a picture that I could use as a cover for my next book. At that time I had only just started writing but I knew my main protagonist was a woman who was very involved in art, and I felt a cover that was, and looked, like a painting, would be appropriate. Fast forward to this winter and I now know where my protagonist lives (in a fictional village near Kit Hill in the Tamar Valley) and much more about the story, so I commissioned Anthea to create this fictional scene.
To assist with the transition of my idea to her vision I gave her a photograph of a ‘wild’ sky I had taken over Caradon mast, another with Kit Hill in the background, saying the fictional village could be on the ridge by the valley full of trees you could see, a photograph of a converted chapel that I had in my mind’s eye for the home of the main character and a plan of the ‘village’ that I created to make sure my characters move around their landscape properly; and then asked if all the relevant details could be squished onto the right hand side of the painting as this would be the front cover. Tall order!? Not for Anthea! ‘Landscapes’ are Anthea’s thing and she usually paints only from life but she had fun creating this new, imagined and ‘painterly’ landscape and I am delighted. So lucky to have such talented friends!
The sky is suitably ‘Turner-esque’ and though from a ‘real’ sky looks as if it could only exist in a painting, the salient points in the story-village are identifiable should you wish to do so, the whole countryside effect is perfect.
To be turned into a book cover it, obviously, has to have the title and author’s name across it.. and blurb and other info on the back – to give you all an idea I have just added the words to the front cover part (not done professionally – words will be better and properly spaced on the real thing) The whole painting will be used for the cover – running right through onto the back.
Do you DOODLE?
Do share, you know I love to hear from you!
If you live in SE Cornwall or SW Devon you are lucky to be close enough to see some of Anthea’s work on exhibition and for sale at The Wharf, Tavistock; Compton Engine House cafe, Florence Road, Kelly Bray; Jane’s Florists and Art show room, the Pannier Market, Callington and The Public Rooms, Liskeard as well as the Wednesday morning Callington Country Market aforementioned, don’t miss your chance now that she is not only talented but also ‘famous’!